Editorial Projects

Editor, Richard Bell, ‘Archie Moore wins the Golden Lion (For Australia)’, Art Monthly Australasia, Issue 340, Spring 2024

Editor, Richard Bell ‘Bell’s Theorem (Reductio ad Infinitum): Contemporary Art—It’s a White Thing!’ Eflux Journal, NY, 2022

Co-editor, Feminist Takes on Black Wave Film (collective project, conceived and edited by Antonia Majaca,  Jelena Vesic and myself), upcoming 2017.

Co-writer with Jelena Vesic and Vlidi Jeric, On Neutrality: The Letter from Melos, Non Aligned Modernity book edition (Museum of Contemporary Art Belgrade, Serbian/English) 2016.Co-writer, Ape Culture, exhibition catalogue entries, Haus der Kulturen de Welt, 2015.

Co-editor (and co-writer), Speculative Realities (eBook), V2_ Institute for Unstable Media, 2013.
Co-editor (and co-writer), New Aesthetics, New Anxieties (eBook), V2_ Institute for Unstable Media, 2012.

Editor, The Glitch Moment(um), Theory on Demand Series, Institute of Network Cultures, 2012

Editor, Patricia Pisters, The NeuroImage: A Deleuzian Film-Philosophy of Digital Screen Culture (Monograph), Stanford University Press, 2012

Co-Editor (and Co-Writer), How To Where To: Australia Council Guide for Independent Artists (Book)  2003 (multiple reprints)

Co-Editor, Semper Floreat, University of Queensland Magazine, 2001

Consulting, Advisory, Advocacy 

I have worked directly for projects or organizations in advisory or consulting capacities, in ways that draw on my interdisciplinary training, international networks, media literacy and cultural analysis, and my unique approach to strategy and conceptualisation.

I am a cofounder of COVERSE, a science-led patient advocacy network and national charity dedicated to the support of Australians injured by pandemic public health policy.

My Phd research involved close collaborations with grassroots anti-fracking alliances and environment organisations esp. Arid Lands Environment Centre in the Northern Territory.

I was one of the inaugural editorial board members of Green Agenda, a longform essay project of the The Green Institute, Australia.

With Dutch ‘introspective design’ team Reframing Studio I’ve worked with the Skolkovo Foundation in Moscow, Russia, developing the critical thinking competencies of Russian students selected for OpUS Open University Skolkovo.

For the International Society for Electronic Arts, and their annual Symposium, I was a Curatorial Working Group Member of the Pacific Rim Media Summit, San Jose, dedicated to artists and curators working outside the colonial heritages of dominant new media art discourses of space, virtuality and code.

For the Institute of Network Cultures, Amsterdam, I have develop-edited titles from their Theory on Demand series, and produced critical conference reports for their research hub.

For  MAAP Multimedia Art Asia Pacific I have consulted on special curatorial projects, the cultivation of project archives, web content and web strategy, grant strategies, and upgraded their new website and all content for a Blueprint CMS developed by talented Melbourne designers Inventive Labs.

With Portable Content and the Portable Film Festival, Melbourne, I produced websites and social networks, consulted on aesthetic aspects of online film festival curating, developed business plans and reports, press releases and industry strategy.

For the Australia Council for the Arts I co-developed, co-wrote and co-edited with Marcus Westbury and Newcastle’s Octopod Collective ‘H2W2: How to do an arts project; Where to get help‘, a very popular guide to all aspects of project management in an Australian context for independent artists and cultural practitioners. The book is now in its third print run and counting.